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From the Pages of . . .
May 22, 2009


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The Hot House Jazz Band, May 16, 2009

Hooray for eccentricity! The three members of the Hot House Jazz Band – Eric Henry, tuba; Paul Butler, clarinet; and Jim Smith, tenor guitar/vocals – are not your ordinary trio, because they have a collective sense of humor and a wacky gaiety that are truly infectious.  On top of that, they are terrific musicians, and Bedford County was privileged to enjoy two days of their marvelous fun and exceptional playing.

These three talented musicians began their two-day residency by giving concerts at the three Tussey Mountain School District elementary schools.  Starting at 9:15 at Defiance, moving on to Saxton-Liberty, and then winding up after lunch at Robertsdale, they treated each group of wildly enthusiastic students as if their music program were brand-new.  As indeed it was, because each time they adapted to the audience in slightly different ways.  From “Ain’t Misbehavin’” to Duke Ellington’s “It Don’t Mean a Thing If It Ain’t Got that Swing” (with the kids supplying the doo-wahs) to the all-audience participation in “Ballin’ the Jack” and the hilarious “Honey Child,” each song brought laughs and applause.  Paul Butler also introduced the students to a new instrument called a “Hang”, made in Switzerland, with a steel-band-type sound but softer, and played a mesmerizing duet with Eric Henry on the Native American flute.  It was a fine introduction to jazz for a combined audience of almost 600 students and their teachers.

On Saturday, the trio warmed up with an informal jam session in the Golden Eagle parking lot that lasted for several hours.  On Saturday evening the Bedford United Methodist Church was the hot (cool?) place to be in town, with the Hot House Jazz Band entertaining the crowd with such classic jazz songs as “Ain’t Misbehavin”, “It Don’t Mean a Thing,” “Caravan,” “Sweet Georgia Brown”, “Up a Lazy River,” and many more.  Jim Smith’s Satchmo-type growling voice was a perfect fit with the inventive improvisations of Paul Butler on the clarinet and the remarkable tuba playing of Eric Henry.  My favorite was their version of “Bei Mir Bist Du Schoen,” rewritten as “The bear missed the train and now he’s walkin’” and performed at a lively pace.  We heard the hang/flute combination again, which created a quiet, reflective pause in an evening full of musical excitement.  

After the concert there was a run on the CDs the trio had for sale, and no wonder: We had just had an evening of superb entertainment.